Posts

Secrets and lies in perfumery

“Abandon all hope of hearing the truth, ye who enter here”: words we might well be tempted to say to the novice taking an interest in perfumery. There is no denying that inventions, secrets and lies are legion in the fragrance universe.
From open secrets to copycat lies, lies of omission to workshop secrets, here is a brief overview of the deceptive discourse employed. Because, on the one hand, we have to laugh. And, on the other hand, the cult of mystery occasionally has its reasons, and it can be interesting to explore them.

Marcel Proust: Of chamber pots and vessels of perfume

In his saga, the asthmatic writer portrays a hypersensitive narrator whose nose is just as fine as his palate. On the occasion of the centenary of his death this November 18, 2022, we offer you an article originally published in Nez, the Olfactory Magazine #13, which returns to the role of odors in the work of the author.

Perfumery disoriented, part 2: Orientalism & colonial aesthetics

In recent months, the perfume world has taken a stand on the use of the adjective “Oriental.” After discussing the difficulties of olfactory classification in Part 1, let’s study the influence of 19th-century colonial aesthetics on the industry’s imagination.

Scents in circulation: perfume life cycles

Behind the eco-responsibility claims highlighted by the perfume industry, production continues at a dizzying pace, raising the question of stock management: are stocks being optimised and overhauled now that the climate emergency is a reality? Once bottles are in use, can they have a second life?

Saskia Wilson Brown: ”Only diversity can allow for a living culture”

Director and founder of the Institute for Art and Olfaction in Los Angeles, Saskia Wilson Brown is deeply engaged in open access and transmedia practices. The Institute for Art and Olfaction, founded in 2012, is a non-profit arts organization devoted to experimentation and education in perfumery.

With the support of our principal partners

IFRA