Olfactory art
Art
5th Experimental Scent Summit: Olfactory culture under the Lisbon sky
On 6 June 2024, the 5th Experimental Scent Summit, organised by the Los Angeles-based Institute for Art and Olfaction, took place in Lisbon. A day teeming with encounters between researchers, artists and perfumers from all over the world who shared research and ideas about olfactory culture.
Podcasts by Nez
Smell Talks : Cultural heritage and fragrance
Fragrance is important in our everyday life, but it has also played an essential role in global history, resonating with cultures and societies worldwide.
Art
Aromas and artwork: Redemption, by Julius Stewart
To celebrate the European Night of Museums this saturday, May the 18th, and to invite you to smell artworks, we invite you to take a closer nose at Rédemption, thanks to this article from Carole Couturier and Constance Deroubaix published in Nez#14 – Music & Perfume.
Art
Perfuming music: Mane and Cercle team up for a series of immersive concerts
Cercle creates experiences and organises festivals and concerts that shine the spotlight on cultural and natural heritage with a fusion of music, aesthetics and showcasing artists and venues. Ugo Charron, Mane perfumer created its olfactory signature: Golden Hour scent will be diffused on 10 July in Geneva for a concert in front of Saint Pierre Cathedral.
Fairs & Events
Artworks to smell around the world this spring
The news of olfactory art has rarely been as prolific as this year. Nez offers you a non-exhaustive world tour of the scented exhibitions to see, but above all to smell in this spring and early summer of 2022.
Art
Perfume, a mixed (up) art
On the occasion of the World Art Day on the 15th of April 2022, Nez invites you to (re)discover an article about the question of perfume as an intellectual property, initially published in Nez, the Olfactory Magazine #04.
Art
≈350 by Stefani Glauber: The Digital Scents of the Art World
As part of the event “Smell it! The Fragrance of Art,” German artist Stefani Glauber presents an exhibition entitled ≈350 at Kunsthalle Bremerhaven, in which she questions the possible digitization of smells within the museum.
